12.01.2018 / 04:37
DER BACHTRACK/LE NOZZE DI FIGARO/ISABELLA STEPPAN/04.11.2017
"Ideally, the main couple of the evening was with Tetiana Miyus as Susanna and Peter Kellner as Figaro. Both Kellner and Miyus awakened the text even to those of the recitatives-literally to life, with one as self-evident, as if they always just in this form In the first act, Miyu's crystal clear soprano flowered magnificently which even increased during the evening and finally interpreted her Rosenarie so captivating that the entire audience could hold their breath.
The many facets of the figure, from cunning to loveable, gave her vocal and she expressed herself and not only wrapped her Figaro around her finger. "
29.11.2017 / 23:51
KLEINE ZEITUNG/LE NOZZE DI FIGARO/MICHAEL TSCHIDA/04.11.2017
"As Susanna, the Ukrainian Tetiana Miyus is making her soprano shine brighter and brighter."
THE NEW MERKUR / LE NOZZE DI FIGARO / KONSTANZE KAAS / 04.11.2017
"In a role debut as Susanna you could experience Tetiana Miyus. Susanna is her
good, both vocally and dramatically. She looks sweet and lively on stage, you can hear singing from her very nice. The big game of Susanna in a debut at such a high level deliveris a fantastic achievement. You can congratulate! "
29.11.2017 / 23:13
DER OPERNFREUND/DIE GRIECHISCHE PASSION/HERMANN BECKE/06.03.2016
"The second important female figure Lenio in this piece of men was occupied with the young Ukrainian soprano Tatjana Miyus excellent. She knew
perfectly sedentary voice and human appeal to move-and that despite
Exaggerated-caricaturing costume and flash Hollywood mask ".
26.11.2017 / 04:00
DER OPERNFREUND/JENUFA/HERMANN BECKE/ 30.03.2014
"Konwitschny ... creates an atmospheric wedding scene in which the breathtaking Karolka of Tatjana Miyus attracts attention"
25.11.2017 / 04:00
DER BACHTRACK/PEER GYNT/ISABELLA STEPPEN/21.11.2016
The singing highlight of the evening was the Tatjana Miyus. With a great dose of melancholy and her bell-ringing timbre, she managed to spin fine strings of great emotions and to resonate Solvejg's famous song as a heartfelt waiting with hope. "
23.11.2017 / 04:00
BRITISH SOCIETY OF 18-CENTURY STUDIES/XERXES/IVAN CURKOVIC/N.N.
„Tatjana Miyus(Atalanta) was irresistible in the jealous sister`s childlike
viciousness that culminated in Xerxe`s second aria.
More accomplished in terms of a wholly rounded performance was
Tatjana Miyus,whose small voice and fine sense of interpretation
blended well with her stature and acting into a convincing portrayal
of the vixen Atalanta“.